Metaphysical poetry, known for its intellectual depth and intricate conceits, delves into themes of love, mortality, and the divine. Figures like John Donne, Andrew Marvell, and George Herbert masterfully use language to explore philosophical and spiritual questions, leaving a lasting impact on English literature.
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Metaphysical poetry is known for its intellectual sophistication, which sets it apart from other forms of poetry
The use of intricate metaphors, known as conceits, is a defining feature of metaphysical poetry
Metaphysical poetry delves into philosophical and spiritual themes, often challenging traditional beliefs and exploring complex ideas
The term 'metaphysical poetry' was first used by Samuel Johnson in his critical essay published in 1779
Johnson initially critiqued the style of metaphysical poetry for its perceived excesses, such as forced cleverness and overshadowing of emotional essence
Over time, the term 'metaphysical poetry' has lost its negative connotations and is now neutrally used to categorize poets who share similar stylistic traits
Metaphysical poetry is distinguished by its use of conceits, which are extended metaphors that draw connections between vastly different concepts or objects
Metaphysical poetry often addresses paradoxes, using wit and clever wordplay to explore complex philosophical and theological issues
Metaphysical poetry often merges the sensual with the spiritual, revealing deeper truths about the human condition and the nature of existence
John Donne is considered a central figure in metaphysical poetry, known for his inventive use of conceits and exploration of existential and spiritual questions
Andrew Marvell's works, such as 'The Definition of Love' and 'To His Coy Mistress,' are acclaimed for their intellectual wit and contemplation of love and the passage of time
George Herbert and Henry Vaughan, influenced by Donne, also delve into spiritual themes in their collections, 'The Temple' and 'Silex Scintillians,' respectively