The Duchess of Malfi's narrative centers on a widowed Duchess in 16th-century Italy who defies societal norms by marrying her steward, Antonio. Her brothers, Ferdinand and the Cardinal, represent the corrupt aristocracy, enforcing class divisions and seeking to control her. Their retaliation leads to tragedy, underscoring themes of power, corruption, class struggle, and the subjugation of women within the genre of revenge tragedy.
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The play delves into the corrupt nature of those in positions of power and the consequences of their actions
Challenging Social Norms
The Duchess and Antonio's secret marriage challenges the rigid class system and societal expectations of the time
Possibility of Social Reform
The tragic end of the Duchess and Antonio, coupled with the hope embodied by their son, suggests the potential for change in a hierarchical society
The play critiques the oppressive treatment of women in the Jacobean era, particularly through the Duchess's defiance against her brothers' control
The central conflict of the play revolves around the Duchess and Antonio's secret marriage and their struggle to maintain their love in a society that seeks to tear them apart
The Duchess's Betrayal by Her Brothers
The Duchess's brothers' betrayal and subsequent revenge against her for defying their authority leads to a tragic chain of events
The Cardinal's Betrayal of His Mistress
The Cardinal's murder of his mistress, Julia, highlights the corruption and hypocrisy of those in positions of power
The characters' descent into madness, cruelty, and moral corruption reflects the decay of society during the Jacobean era
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Playwright of 'The Duchess of Malfi'
John Webster, an English dramatist of the Jacobean era.
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Initial performance and publication years
First performed in 1614, published in 1623.
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Main plot catalyst in 'The Duchess of Malfi'
The Duchess's secret marriage to her steward, Antonio.
