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Christopher Marlowe was a transformative Elizabethan playwright known for works like 'Doctor Faustus' and 'Tamburlaine the Great.' His use of blank verse and tragic heroes influenced English theatre. Marlowe's death at 29 remains a mystery, with theories suggesting espionage and murder. His legacy endures in the vibrancy of Elizabethan culture and drama.
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Christopher Marlowe was born in Canterbury, Kent in 1564 and baptized on February 26th
Education at The King's School and Corpus Christi College
Marlowe's academic prowess led him from The King's School to a scholarship at Corpus Christi College
Some historians suggest that Marlowe may have been involved in covert intelligence work for the government due to the Privy Council's support in obtaining his Master of Arts degree
Marlowe's pioneering play, "Tamburlaine the Great," broke away from the rigid conventions of earlier Tudor drama and set the stage for subsequent dramatists
Doctor Faustus
Marlowe's play "Doctor Faustus" explores the consequences of ambition and the pursuit of knowledge and power
The Jew of Malta
Marlowe's play "The Jew of Malta" is known for its intellectual rigor and dramatic intricacy
Edward II" and "The Massacre at Paris
Marlowe's plays "Edward II" and "The Massacre at Paris" challenge audiences with their exploration of human frailty and ambition
Marlowe's plays often feature tragic heroes, such as Tamburlaine and Doctor Faustus, who embody a combination of majesty and fallibility
Marlowe's depiction of tragic heroes contributed to a new level of complexity in the representation of main characters in English theatre
Marlowe's death at the age of 29, resulting from a fatal wound in an altercation, remains a subject of scholarly debate
The credibility of the witnesses in the official inquest has been called into question, leading to alternative theories about the motive for Marlowe's death
Marlowe's mastery of blank verse and creation of dynamic, monumental characters have secured his status as a luminary of Elizabethan drama and his influence is evident in the works of his contemporaries and the evolution of English theatre