The Poem 'The Windhover'

Gerard Manley Hopkins's 'The Windhover' is a Victorian sonnet that intertwines the beauty of nature with deep religious symbolism. As a Jesuit priest, Hopkins's work reflects his spiritual insights and reverence for creation, using the kestrel as a metaphor for Christ's presence. The poem showcases his unique sprung rhythm and alliteration, bridging Romanticism and Modernism.

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Gerard Manley Hopkins: Poetic Mastery in 'The Windhover'

Gerard Manley Hopkins, a distinguished poet of the Victorian Era, crafted the sonnet 'The Windhover' in 1877, drawing upon the splendor of the natural world and his deep religious faith. As a Jesuit priest, Hopkins infused his poetry with his spiritual insights and reverence for creation. The poem features a Kestrel, or Windhover, portrayed with extraordinary agility and beauty, serving as a metaphor for both the wonders of nature and the divine presence of Christ. Hopkins's distinctive poetic style, marked by his innovative use of sprung rhythm, alliteration, and vivid imagery, broke away from the norms of his time and foreshadowed the experimental techniques of Modernist poetry.
Kestrel in flight with wings spread against a clear blue sky, showcasing its russet-grey plumage and sharp hunting gaze.

Victorian Context and Religious Undertones in 'The Windhover'

Written against the backdrop of the Victorian Era, a time of profound social and religious change in Britain, 'The Windhover' reflects the era's complexities. Queen Victoria's reign from 1837 to 1901 saw the expansion of the British Empire and significant social stratification, alongside gradual political reforms and the Anglican Church's prominence. Hopkins, a Catholic in a predominantly Protestant society, experienced the gradual restoration of Catholic rights, which had been suppressed since the Reformation. His conversion to Catholicism and ordination as a Jesuit priest in 1877 are pivotal to understanding the poem, as they highlight the interplay between his personal faith and the shifting religious landscape of the era.

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1

Gerard Manley Hopkins's profession

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Jesuit priest, infused poetry with spiritual insights and reverence for creation.

2

Year 'The Windhover' was written

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1877, during the Victorian Era.

3

Hopkins's poetic style characteristics

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Sprung rhythm, alliteration, vivid imagery; broke norms, foreshadowed Modernist poetry.

4

During the ______ Era, 'The Windhover' was penned, mirroring the era's complex societal and religious shifts in ______.

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Victorian Britain

5

Impact of Victorian literature on Hopkins

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Influenced by Dickens, Hopkins's style diverged from Victorian norms, embracing personal introspection.

6

Themes prevalent in Hopkins's poetry

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Nature, spirituality, and human emotion are central themes, reflecting his philosophical and religious contemplation.

7

Hopkins's poetic innovation

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Rejected conventional Victorian form, pioneering a personal, introspective style that preluded Modernism.

8

'The ______' is a poem by Hopkins that uses the form of a ______ sonnet, often linked with romantic themes, to express his reverence for the divine.

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Windhover Petrarchan

9

Hopkins employs a unique meter called ______ ______ instead of the traditional iambic pentameter, which reflects the natural flow of speech and complements the poem's theme of a falcon in flight.

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sprung rhythm

10

Symbolism of the falcon in 'The Windhover'

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Represents both nature's beauty/power and Christ's redemptive grace.

11

Medieval and biblical imagery in 'The Windhover'

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Christ as 'chevalier', 'dauphin' term usage, evokes divine royalty.

12

Agricultural motifs and crucifixion imagery

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Links to Christ's parables; 'gall' and 'gash gold-vermillion' suggest crucifixion and redemption.

13

The poem's aesthetic is enriched by literary devices like alliteration and assonance, which underscore its theme of ______ beauty and ______ ______.

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natural spiritual contemplation

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