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Balder Dead: A Poetic Exploration of Norse Mythology and Philosophy

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Matthew Arnold's 'Balder Dead' delves into the Norse myth of Balder, the god of light, whose death and the Aesir gods' quest for his resurrection are central themes. The poem reflects on fate, death, and the hope for renewal, drawing parallels to Christian eschatology and the mid-19th century societal changes.

Exploring Matthew Arnold's "Balder Dead"

"Balder Dead" is a significant work by the English poet Matthew Arnold, published in 1855. This narrative poem explores the Norse myth of Balder, the god of light and purity, whose death is mourned by all creation. Arnold structures the poem into three parts—'Sending,' 'Journey to the Dead,' and 'Funeral'—each depicting a phase of the mythological events. The poem is composed in blank verse, utilizing unrhymed iambic pentameter, a style that reflects Arnold's classical influences, particularly the work of Virgil, whose epic poetry was known for its formal elegance and expressive simplicity.
Misty Norse landscape with a solemn warrior in traditional attire holding a sword and shield, standing by Yggdrasil and a white horse near a calm lake.

The Mythological Context of Balder's Demise

The story within "Balder Dead" is based on the sorrowful Norse myth of Balder's death. Balder, the benevolent son of Odin and Frigg, is treasured by the Aesir gods for his goodness and beauty. His death is precipitated by the malevolent trickery of Loki, who discovers Balder's singular weakness: a weapon made of mistletoe. Despite Frigg's precautions to protect her son by extracting promises from all entities not to harm him, the mistletoe remains an exception. Loki cunningly guides the blind god Hoder, Balder's brother, to strike Balder with a mistletoe projectile, resulting in Balder's tragic demise.

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Publication year of 'Balder Dead'

1855

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Central myth in 'Balder Dead'

Norse myth of Balder, god of light and purity

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Influence on Arnold's style in 'Balder Dead'

Classical, particularly Virgil's epic poetry

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