Matthew Arnold's 'Balder Dead' delves into the Norse myth of Balder, the god of light, whose death and the Aesir gods' quest for his resurrection are central themes. The poem reflects on fate, death, and the hope for renewal, drawing parallels to Christian eschatology and the mid-19th century societal changes.
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The poem is composed in blank verse, utilizing unrhymed iambic pentameter, reflecting the classical influences of the poet
Fate and Death
The poem explores the themes of fate and death through the tragic demise of Balder and the inevitability of Ragnarok
Rebirth and Renewal
The poem also touches upon the concept of rebirth and renewal, as seen in the anticipation of a new existence after Ragnarok
The narrative serves as an allegory for Christian beliefs and a commentary on the societal disillusionment of the mid-19th century
Balder, the god of light and purity, is treasured by the Aesir gods for his goodness and beauty
Balder's tragic demise is caused by the malevolent trickery of Loki, who discovers his singular weakness
The funeral rites of Balder and his journey to the underworld, as well as the anticipation of his rebirth, are depicted in the poem
Hoder's regret and Frea's proposal of a daunting quest to Hell to entreat for Balder's release are crucial events in the poem
Hermod's nine-night ride to Hell on Sleipner and his plea to Hela for Balder's return are depicted in the second part of the poem
The gods' reactions to Hela's condition for Balder's release and the final fate of Balder are portrayed in the concluding part of the poem
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Publication year of 'Balder Dead'
1855
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Central myth in 'Balder Dead'
Norse myth of Balder, god of light and purity
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Influence on Arnold's style in 'Balder Dead'
Classical, particularly Virgil's epic poetry
