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The Ghazal is a classical form of poetry that originated in 6th-century Arabic verse and later flourished in Persian and Urdu literature. Characterized by its series of autonomous couplets, or shers, the Ghazal adheres to a strict rhyming pattern and refrain. It often explores themes of love, longing, and the divine, with influences from Sufi mysticism. Notable poets like Mirza Ghalib and Faiz Ahmed Faiz have enriched its tradition, which contrasts with the narrative Nazm in Urdu poetry.
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The Ghazal originated in 6th-century Arabic verse and has evolved through Persian and Urdu influences
Meter and Rhyme
The Ghazal follows a consistent meter and rhyme scheme, with a refrain and signature couplet
Matla and Maqta
The opening couplet sets the theme and the final couplet often includes the poet's signature
The Ghazal shares similarities with the sonnet in its use of thematic and formal constraints
The Urdu Ghazal has been deeply influenced by Sufi traditions, incorporating themes of love, longing, and the divine
Mirza Ghalib
Ghalib's Ghazals expanded the form's thematic range, incorporating social and political motifs
Faiz Ahmed Faiz
Faiz's Ghazals maintained the form's aesthetic and spiritual roots while addressing contemporary issues
The Ghazal often uses love as a metaphor for the divine or the unattainable, allowing for a duality of meaning
Ghazals consist of self-sufficient couplets with disparate themes, while Nazms are longer narrative poems with a consistent theme
Use of Takhallus and Rhyme
Ghazals adhere to the use of a takhallus and strict rhyme scheme, while Nazms allow for more flexibility
Musical Adaptations
Ghazals are often set to music, enhancing their lyrical quality, while Nazms are generally recited
Writing a Ghazal requires balancing thematic exploration with formal precision, creating a series of coherent and harmonious couplets