The New York School Movement

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The New York School was an influential artistic movement in mid-20th-century New York City, encompassing a collective of poets and artists who revolutionized literature and art. Pioneers like Frank O'Hara, John Ashbery, and James Schuyler, along with abstract expressionist artists such as Jackson Pollock and Mark Rothko, embraced a more spontaneous and conversational style, infusing their works with humor, urban vibrancy, and a rejection of traditional forms. This movement, which included a second wave of poets like Alice Notley and Ted Berrigan, played a significant role in the postmodernist trend, influencing future generations of artists and writers.

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This artistic movement, part of the broader ______ trend, aimed to transcend the strictures of modernism with a more playful and ______ approach.

postmodernist

intertextual

The anthology that brought literary attention to the New York School was titled 'The New American Poetry: ______', edited by ______ Allen.

1945-1960

Donald

Defining trait of New York School poetry?

Vivid urban life engagement, pop culture elements.

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The New York School: An Artistic Movement of the Mid-20th Century

The New York School refers to a group of poets and artists who were active in New York City during the mid-20th century, particularly in the 1950s and 1960s. This movement was part of the larger postmodernist trend in literature and art, which sought to move beyond the rigid structures of modernism by embracing more playful, irreverent, and intertextual approaches. The New York School's name echoes the École de Paris, which included artists like Henri Matisse and Pablo Picasso. The movement gained literary prominence through Donald Allen's anthology "The New American Poetry: 1945-1960." The New York School was not a formal institution but rather a network of artists and poets who shared common interests in urban life, contemporary culture, and artistic innovation, often employing humor and a conversational tone in their works.

Bright art studio with large windows, an easel holding a colorful abstract painting, a table with paint supplies, and an artist in a smock.

Characteristics of New York School Poetry

New York School poetry is notable for its vivid engagement with urban life and its incorporation of elements from popular culture. It represents a departure from the solemnity of confessional poetry, favoring instead a playful and often ironic perspective on the world. The poets associated with this movement rejected the constraints of traditional poetic forms, opting for a more spontaneous and immediate style that mirrored the cadences of conversation and the chaotic nature of city life. Their work frequently addressed the art, social scenes, and personal relationships that surrounded them.

Pioneers of the New York School Poets

The first generation of New York School poets includes Frank O'Hara, James Schuyler, Kenneth Koch, and John Ashbery, who were central figures in the New York literary scene of the 1950s. Their arrival in New York coincided with a period of intense political scrutiny in the United States, marked by the Second Red Scare and the Korean War. The repressive atmosphere of the era, characterized by a heightened fear of communism and a crackdown on intellectual freedom, provided a backdrop against which these poets crafted their work. They often engaged with social and political themes, drawing inspiration from the abstract expressionist artists of the time, and some, like O'Hara and Schuyler, had direct ties to the Museum of Modern Art.

Leading Voices of the First Generation

Frank O'Hara, who worked at the Museum of Modern Art, is remembered for his poetry that captures the immediacy of life and personal experiences, fostering a direct and intimate connection with the reader. John Ashbery's contributions are marked by his experimental approach to poetic form, as exemplified in his collection "The Tennis Court Oath." James Schuyler, who lived with O'Hara and Ashbery for a time, is celebrated for his detailed and observant 'window' poems, which earned him accolades including the Pulitzer Prize for his collection "The Morning of the Poem."

The Second Wave of New York School Poets

The second generation of New York School poets, which emerged in the 1960s and 1970s, included figures such as Alice Notley, Ted Berrigan, and Bill Berkson. While still influenced by the first generation, these poets were less tied to New York City as a locus and were more diverse in their influences, drawing from sources such as the pop art movement. Alice Notley's poetry brought a fresh perspective to the movement by delving into themes of gender and identity, while Ted Berrigan's work, influenced by the Beat poets, featured a distinctive stream-of-consciousness style, as seen in his collection "The Sonnets."

The New York School of Artists and Abstract Expressionism

The New York School also refers to a group of artists associated with the abstract expressionist movement that flourished in New York after World War II. This movement emphasized spontaneous, automatic, or subconscious creation, and was a reaction against the rigid formalism of previous art. Key figures such as Jackson Pollock, Mark Rothko, and Willem de Kooning are renowned for their contributions to this movement, which celebrated individuality and the act of painting as an event.

Distinctive Elements of New York School Poetry

The poets of the New York School are characterized by their use of everyday language, humor, and a sense of immediacy in their work. They often employed a stream-of-consciousness narrative and conversational tone, creating an engaging and accessible experience for the reader. Their innovative use of punctuation and structure allowed them to capture the fluidity of thought and the complexity of emotional states, challenging conventional expectations of poetic form and content.

The New York School Movement

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The New York School Movement

The New York School Poets

Origins and Influences

Characteristics and Themes

Key Figures and Contributions

The New York School Artists

Abstract Expressionism

Key Figures and Contributions

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