Categorization and Authorship in Shakespeare's Plays

Exploring the categorization of Shakespeare's plays in the First Folio, this overview delves into the genres of comedies, histories, and tragedies. It also examines collaborative authorship in plays like 'The Two Noble Kinsmen' and the enigma of lost works such as 'Love's Labour's Won'. The text further investigates Shakespeare's alleged contributions to other plays, highlighting the complexities of authorship in early modern drama.

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The Categorization of Shakespeare's Plays in the First Folio

The First Folio, published in 1623, is a seminal publication that compiled William Shakespeare's plays posthumously. It categorizes thirty-six plays into three genres: comedies, histories, and tragedies. This division has been foundational for Shakespearean scholarship. However, it is important to note that the First Folio does not include all of Shakespeare's plays. "Pericles, Prince of Tyre" and "The Two Noble Kinsmen" were later added to the comedies, and "Edward III" was included among the histories in subsequent editions, despite their absence from the original folio. Modern scholarship often recognizes additional genres, such as "late romances" and "problem plays," which reflect the evolving nature of Shakespeare's work and its interpretation over time.
Elizabethan style theater scene with carved throne, crossed swords, lute, basket of fake fruit and red velvet curtain.

Collaborative Authorship in Shakespeare's Plays

William Shakespeare frequently collaborated with other playwrights, a common practice in the Elizabethan and Jacobean eras. The extent of these collaborations and the specific contributions of co-authors are still debated by scholars. "The Two Noble Kinsmen" is a recognized collaboration with John Fletcher. Other plays, such as "Titus Andronicus" and "Timon of Athens," have been suggested to involve co-authorship based on stylistic analyses. "Edward III" is thought to be a joint effort with Thomas Kyd, and "Henry VIII" is widely accepted as a collaboration with Fletcher. There are also suggestions that Thomas Middleton may have revised "Macbeth" and "Measure for Measure," while George Wilkins is believed to have contributed to "Pericles, Prince of Tyre."

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1

First Folio Publication Year

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Published in 1623, posthumously compiled Shakespeare's plays.

2

First Folio Original Genres

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Categorized plays into comedies, histories, and tragedies.

3

First Folio's Impact on Scholarship

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Division of plays in First Folio foundational for Shakespearean studies.

4

During the ______ and ______ periods, it was common for playwrights like William Shakespeare to work with others.

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Elizabethan Jacobean

5

The play 'The Two Noble Kinsmen' is acknowledged as a joint work between Shakespeare and ______.

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John Fletcher

6

'' and '' are among the plays that might have been co-written, as suggested by their writing styles.

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Titus Andronicus Timon of Athens

7

The play '______ III' is believed to be a collaborative effort between Shakespeare and ______.

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Edward Thomas Kyd

8

Shakespeare's 'Henry VIII' is widely recognized as a work co-authored with ______.

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John Fletcher

9

Thomas Middleton is thought to have revised Shakespeare's '' and '.'

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Macbeth Measure for Measure

10

George Wilkins is speculated to have had a hand in writing '______, Prince of Tyre' with Shakespeare.

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Pericles

11

Nature of 'Love's Labour's Won'

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Referenced in records, not found; possibly an alternate title or a lost play.

12

Theobald's claim on 'Cardenio'

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Claimed to adapt 'Cardenio' into 'Double Falsehood' from Shakespeare's manuscripts; authenticity debated.

13

Authorship of 'Arden of Faversham' & 'Edmund Ironside'

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Plays show linguistic signs of Shakespeare's hand; authorship still unconfirmed.

14

Plays like 'The London Prodigal' and 'A Yorkshire Tragedy' were once thought to be ______'s work and included in the ______.

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Shakespeare Third Folio

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