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Shakespeare's Influence and Works

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Exploring Shakespeare's contributions to 'Sir Thomas More' and the staging of his plays, including 'Measure for Measure', 'Othello', 'All's Well That Ends Well', and 'King Lear'. These works reflect the socio-political climate of the early 17th century and showcase the bard's talent for integrating contemporary issues into his dramas. The text also delves into the censorship and revisions that shaped the performance history of these Elizabethan plays.

Shakespeare's Hand in "Sir Thomas More"

William Shakespeare's contribution to the play "Sir Thomas More" is recognized by scholars, with evidence of his handiwork appearing in a section of the manuscript revised by several playwrights. This collaborative Elizabethan drama, primarily penned by Anthony Munday, also received contributions from Henry Chettle, Thomas Dekker, and Thomas Heywood. Shakespeare's involvement, attributed to the hand known as Hand D, is supported by paleographic analysis comparing the handwriting to Shakespeare's known signatures. The play's scholarly editions, including those by Manchester University Press and the Arden Shakespeare series, provide comprehensive insights into the collaborative nature of the text, the censorship it underwent by Master of the Revels Edmund Tilney, and the subsequent revisions by the collective of playwrights, solidifying Shakespeare's role in its creation.
Softly lit Elizabethan theater with protruding stage, empty wooden pews, round columns, carved throne and swords.

The Staging and Suppression of "Sir Thomas More"

"Sir Thomas More" faced challenges in its performance history, likely due to censorship, and may not have been staged during Shakespeare's era. The play's first known performance occurred in 1922 at Birkbeck, University of London. Written by Munday and Chettle between 1592 and 1595, the play's depiction of the "Evil May Day" riots and the merciful response by Henry VIII could have been seen as politically sensitive against the backdrop of Queen Elizabeth's reign, particularly given her harsher stance on similar disturbances. The play's performance was likely vetoed by the censor Tilney and remained unperformed until the more lenient Stuart period. The revisions, possibly made around 1603-1604, reflect the changing political landscape and align with the stylistic features of other contemporary works.

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Primary author of 'Sir Thomas More'

Anthony Munday penned the main text of 'Sir Thomas More'.

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Role of Hand D in 'Sir Thomas More'

Hand D, identified as Shakespeare's, contributed to the manuscript's revision.

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Censorship and revisions of 'Sir Thomas More'

Edmund Tilney, Master of the Revels, censored the play, leading to revisions by several playwrights.

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