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Exploring Shakespeare's contributions to 'Sir Thomas More' and the staging of his plays, including 'Measure for Measure', 'Othello', 'All's Well That Ends Well', and 'King Lear'. These works reflect the socio-political climate of the early 17th century and showcase the bard's talent for integrating contemporary issues into his dramas. The text also delves into the censorship and revisions that shaped the performance history of these Elizabethan plays.
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Shakespeare's involvement in "Sir Thomas More" is evidenced by his contributions to the play's manuscript, which was primarily written by Anthony Munday but also received input from other playwrights
Paleographic Analysis
Shakespeare's involvement in "Sir Thomas More" is supported by paleographic analysis comparing the handwriting in the manuscript to his known signatures
Shakespeare's contributions to the revisions and censorship of "Sir Thomas More" solidify his role in the play's creation
Due to potential political sensitivity and censorship, "Sir Thomas More" may not have been performed during Shakespeare's era
The first recorded performance of "Sir Thomas More" occurred in 1922, long after Shakespeare's time
The play's depiction of the "Evil May Day" riots and its merciful portrayal of Henry VIII may have led to its suppression during Queen Elizabeth's reign
"Measure for Measure" and "Othello" were both performed at Whitehall Palace in 1604
"Measure for Measure" draws from allusions to King James I's policies and the London plague, reflecting the socio-political climate of the early 17th century
"Othello" is influenced by recent historical events such as the Turkish invasion of Cyprus, showcasing Shakespeare's ability to incorporate contemporary issues into his plays
Scholars place the composition of "All's Well That Ends Well" between 1595 and 1607, with evidence suggesting a creation date around 1604-1605
The first recorded performance of "All's Well That Ends Well" was in 1741, long after Shakespeare's time
The themes and stylistic elements of "All's Well That Ends Well" align with other plays from Shakespeare's early 17th century period
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Primary author of 'Sir Thomas More'
Anthony Munday penned the main text of 'Sir Thomas More'.
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Role of Hand D in 'Sir Thomas More'
Hand D, identified as Shakespeare's, contributed to the manuscript's revision.
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Censorship and revisions of 'Sir Thomas More'
Edmund Tilney, Master of the Revels, censored the play, leading to revisions by several playwrights.
